GUITAR

The guitar is a very special instrument for me because I am more intimate with it than any other and I love to fully explore the techniques and range of the instrument. I have had the pleasure of working with many excellent guitarists including: Matt Borgmann, Graham Sims, Kevin Byrne, The Flamenco Thief, James Douglas and Gary Ryan across a range of styles and was a founder member of The Guitar Circle, a community dedicated to promoting guitar music.


My guitar music derives from a classical training distilled with other musical influences from my past including: folk, progressive rock, punk, new wave and jazz . I aim to create strong melodic and rhythmic frameworks in tension with complex harmonic explorations and experimental approaches. A strong narrative often defines my works. Distinctive right hand patters derive from influences like Davy Graham, Bert Jansch, John Martyn and Stephan Grossman gained while I was playing on the London pub folk scene in the mid seventies. Around that time I also began three years studying classical guitar and music theory at The Watford School of Music under Tom Hartman and Carl Shavitz.


All my early composing energies were put into writing for various guitar based bands until, frustrated by the direction of popular music I rediscovered solo guitar. The influence of this period remains and is evidenced by clear melodic phrases and rhythms.


In 2001 I started an important collaboration with Graham Sims. This culminated in the world premiere in November 2001 at The Michael Tippet Centre of two major works: Soundtrack 1 and The Fairground. The works were well received: "Substantial pieces... with many effective ideas" (Bath Chronicle). Graham went on to record both pieces on "The Fairground".


A few years back I began a major collaboration with Graham Sims and Kevin Byrne… both hugely talented guitarists with contrasting styles. This involved the composition of the Fanfarria suite. Fanfarria II was premiered by Graham to great reviews at the Assembly Rooms in Bath. The more expansive duets Fanfarria I and Prelude were premiered by Graham and Kevin on their 2008 UK tour including the Tippet Centre and the Bolivar Hall, London. With one and a half years in the writing, help and motivation came from Hayley Savage. You can hear the results and view the scores below.


The guitar continues to fascinate and has become the centre of two current duet project. The first with The Flamenco Thief resulted in Andalusian Sketches. The second is with James Douglas… Fight and Flight. These delicate acoustic guitar duets have been recorded onto two albums and we continue to perform in the UK.


Prelude


Graham Sims and Kevin Byrne - guitar
© lawrence reed 2006


Prelude and Fanfarria were commissioned for premiere at the Bolivar Hall in London in 2007.


They are demanding guitar duets exploring complex interwoven patterns and form part of a series which explore the fanfare as a means of making a statement as an opening piece in a concert.



download the complete score

– 120 KB PDF

FANFARRIA I


Graham Sims and Kevin Byrne - guitar
© lawrence reed 2006


Prelude and Fanfarria were commissioned for premiere at the Bolivar Hall in London in 2007.


They are demanding guitar duets exploring complex interwoven patterns and form part of a series which explore the fanfare as a means of making a statement as an opening piece in a concert.



Badlands score - for flute

download complete score

– 430 KB PDF

SOUNDTRACK I


Graham Sims - guitar
© lawrence reed 2002


soundtrack 1 is a collection of short pieces suitable for intermediate to advanced players inspired by an old 1960s gangster movie


It was premiered by Graham Sims in 2002 at the Michael Tippet Centre in Bath

download the complete score

– 2.7 MB PDF

Fanfarria II


Graham Sims - guitar
© lawrence reed 2003


Fanfarria II is part of a group of three pieces – the others Fanfarria I and fanfarria III being a duet and trio respectively.


The piece breaks down into two main themes, one representing procession followed by a loud "fanfare" representing arrival. Both appear twice. Traditionally fanfares can be boastful and even pompous- leaving little room for holding back!


Fanfarria’s dynamics and vitality make it a great piece to open or close a performance.


This piece also makes a good study for pupils wishing to improve their reading of higher positions including the less commonly used ones.


It was commissioned to mark the launch of The Guitar Circle, an online community of composers and performers


Fanfarria II received its world premiere in the Assembly Rooms in Bath in March 2003.

download the complete score

– 181 KB PDF

Bubbly Blues


Lawrence Reed - guitar
© lawrence reed 2005


A mixed bag of blues extracts inspired by my early days in the folk clubs.

Romantic Interlude


Lawrence Reed 
© lawrence reed 2005


Romantic Interlude received its world premiere at the Assembly Rooms in Bath played by Matt Borgman.

Sicilian study 4 - score only


© lawrence reed 2009


One of a series of short studies inspired by 12 tone methodology.

download the complete score

– 48 KB PDF

The Steam Age - score only


© lawrence reed 2009


A piece looking for a home! Reduced down from an orchestral piece. Quite demanding but I would love to work with someone to realise it.

download the complete score

– 278 KB PDF

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